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    电影丹麦小村教堂

    丹麦小村教堂

    Maalaiskirkko The Danish Village Church

    影片信息

    • 片名：丹麦小村教堂
    • 状态：已完结
    • 主演：Ib/Koch-Olsen/
    • 导演：卡尔·西奥多·德莱叶/
    • 年份：1947
    • 地区：其它
    • 类型：短片/短/情/剧情/
    • 时长：内详
    • 上映：1947-12-15
    • 语言：其它
    • 更新：2025-11-28 19:31
    • 简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
    1947/其它/短片 短 情 剧情 /1947-12-15上映/其它/

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    剧情简介

    The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

    独家影评

    当镜头缓缓扫过丹麦乡间的苍茫大地，那座静静矗立的乡村教堂宛如一位沉默的历史见证者。卡尔·西奥多·德莱叶导演的《丹麦小村教堂》以极简而深邃的笔触，在短短14分钟里勾勒出跨越八个世纪的信仰图景。Ib Koch-Olsen的旁白如同穿越时空的信使，将观众带入那些被岁月浸染的木质结构与石砌廊柱之间，目睹信徒们在斗转星移中始终保持着虔诚的姿态。

    影片最令人惊叹的是其叙事结构的精巧设计。导演并未采用线性历史铺陈，而是通过光影的魔法创造时空交叠的蒙太奇——中世纪简陋木屋教堂里摇曳的烛火，与现代石砌教堂中穿透彩窗的明媚阳光形成神圣对话；古老拉丁文弥撒声与孩童清澈童声合唱在同一个空间内共振。这种超越语言的影像诗学，让建筑材料的演变成为流动的信仰史诗：从抵御北欧严寒的粗犷原木，到哥特式尖顶直指苍穹的精雕细琢，每一块砖石都在诉说人类对精神栖居地的永恒追求。

    作为一部荣获威尼斯电影节国际奖的艺术短片，作品处处彰显大师手笔。美术设计卡洛·雅各布森用冷暖色调交替编织时代经纬，Svend Erik Tarp创作的配乐在管风琴低吟与民谣浅唱间自如流转。当镜头最终定格在当代村庄教堂彩色玻璃折射出的斑斓光斑时，突然领悟到导演埋藏的深意：所谓教堂建筑史，实则是人类将瞬间信仰凝固成永恒的集体尝试。那些不同材质拼接的墙壁，何尝不是时光本身垒砌的圣殿？

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